Ria Voros: The Centre of the Universe

Ria Voros: The Centre of the Universe

Grace Carter’s mother — the celebrity news anchor GG Carter — is everything Grace is not. GG is a star, with a flawless wardrobe and a following of thousands, while Grace — an aspiring astrophysicist — is into stars of another kind. She and her mother have always been in different orbits.

Then one day GG is just … gone. Cameras descend on their house, news shows speculate about what might have happened and Grace’s family struggles to find a new rhythm as they wait for answers.

While the authorities unravel the mystery behind GG’s disappearance, Grace grows closer to her high school’s golden boy, Mylo, who has faced a black hole of his own. She also uncovers some secrets from her mother’s long-lost past. The more Grace learns, the more she wonders. Did she ever really know her mother? Was GG abducted … or did she leave? And if she left, why?

Ria Voros reaches for the stars here, deftly combining mystery with a passion for science and themes of mother-daughter bonds, celebrity, first love and best friendship.

Facts about astronomy and astrophysics are seamlessly woven into the story and are supplemented by an interview with real-life astrophysicist Elizabeth Tasker, making this the perfect book for readers who love STEM. And even readers who don’t have stars in their eyes will love this smart, suspenseful, relatable and literary novel.

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Kyla Jamieson: Kind of Animal

The poems in Kind of Animal document the immediate aftermath of a concussion and the symptom-woven seasons that follow. In concrete, visceral, and accessible language, Jamieson illuminates the lived reality of an invisible illness that is often reduced to medical jargon or symptom labels and difficult for outsiders to comprehend. As time collapses and expands around her and the life she once lived drifts further and further away, Jamieson turns to dreamscapes and ‘the internet of [her] being’ for guidance. What began as a deep desire for a return to normalcy morphs, over the course of this journey, into a fierce determination to love and value herself and her life exactly as they are. These poems are a portal to a new perspective, a flare sent up to mark the spot where despair turns into hope.

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Elaine Woo: Put Your Hand in Mine

 

Brenda Leifso: Wild Madder

 

Dina Del Bucchia: It’s a Big Deal!

 

Matthew Walsh: These are not the potatoes of my youth

In this confessional debut collection, Matthew Walsh meanders through their childhood in rural Nova Scotia, later roaming across the prairies and through the railway cafés of Alberta to the love letters and graffiti of Vancouver. In this nomadic journey, Walsh explores queer identity set against an ever-changing landscape of what we want, and who we are, were, and came to be.

Walsh is a storyteller in verse, his poems laced with catholic “sensibilities” and punctuated with Maritime vernacular. In These are not the potatoes of my youth, Walsh illuminates the complex choreography of family, the anxiety of individuality, and the ambiguous histories of stories erased, forgotten, or suppressed. Readers will find moments of humour, surprise, and a queer realization that all is not what it seems.

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Megan Gail Coles: Small Game Hunting

February in Newfoundland is the longest month of the year.

Another blizzard is threatening to tear a strip off downtown St. John’s, while inside The Hazel restaurant a storm system of sex, betrayal, addiction, and hurt is breaking overhead. Iris, a young hostess from around the bay, is forced to pull a double despite resolving to avoid the charming chef and his wealthy restaurateur wife. Just tables over, Damian, a hungover and self-loathing server, is trying to navigate a potential punch-up with a pair of lit customers who remain oblivious to the rising temperature in the dining room. Meanwhile Olive, a young woman far from her northern home, watches it all unfurl from the fast and frozen street. Through rolling blackouts, we glimpse the truth behind the shroud of scathing lies and unrelenting abuse, and discover that resilience proves most enduring in the dead of this winter’s tale.

By turns biting, funny, poetic, and heartbreaking, Megan Gail Coles’ debut novel rips into the inner lives of a wicked cast of characters, building towards a climax that will shred perceptions and force a reckoning. This is blistering Newfoundland Gothic for the twenty-first century, a wholly original, bracing, and timely portrait of a place in the throes of enormous change, where two women confront the traumas of their past in an attempt to overcome the present and to pick up a future.

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Ian Williams: Reproduction

Paula Jane Remlinger: This Hole Called January

  

Caroline Goodwin: Custody of the Eyes