Carmen Morgan, MFA 2024
Carmen Morgan
The School of Creative Writing is pleased to congratulate Carmen Morgan, MFA. Carmen’s graduate thesis is a hybrid collection of essays and poetry entitled Mapping the Interior.
Carmen has a biology background and was a freelance writer for 12 years before beginning her MFA. In 2017, she produced her play Apricot Stones at the Edmonton Fringe Festival. She was an Alberta Playwrights’ Network Emerging Artist in 2021 and in 2022, her play Dante’s Door received honourable mention from the Playwrights Guild of Alberta, and was produced for stage at the Brave New Playwrights Festival on Granville Island. While in the program, she discovered new-found access to and a love for poetry. She has published in Avenue Magazine and Paper/Cuts and received a Confluence Editor’s Choice Award for her non-fiction work.
Mapping the Interior is a self-reckoning, exploring the multiple selves that exist within one being. Through self-reflection, inquisition and research, the collection asks both big and small questions, drawing out conversations with the Wanderer, Daughter, Wife, Mother, Lover, Mortal and Heiress. It draws on inspiration from Leslie Jamieson’s Empathy Exams and Allison Yarrow’s 90s Bitch, getting honest about the stories we tell ourselves and what we inherit. Narrative, dialogue and scene are used to investigate a subject, while poetic forms are used to convey what goes observed, but unsaid, ultimately turning toward self-acceptance.
Contact
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Damini Kane, MFA 2024
Damini Kane
The School of Creative Writing is pleased to congratulate Damini Kane, MFA. Damini’s graduate thesis is a speculative fiction novel entitled Silvering.
Damini’s love of speculative stories began at a young age, with transportive novels such as Walter Moers’ The City of Dreaming Books and visual media such as anime and graphic novels. She has come to see the fantasy genre like a petri dish: a way to examine ideas in unique contexts. Her work has been published in the Lakeview Journal, the Purple Breakfast Review, and Muse India, and has appeared on Podcastle, an award-winning fantasy fiction podcast. For her piece Words like Frost, she was awarded the second place prize in the Joy Kogawa Award for Literature by the Surrey Muse Arts Society.
Silvering is a speculative fiction novel exploring religion and the relationship between divinity and humanity. As Dove falls to her death, she captures the attention of Entii, the three-faced god of a strict sect of Messengers; a sect that Dove has belonged to since she was a child. Entii promises to save her life, if Dove tells him about her past—and the pasts of her friends. But Entii’s promise is contingent on Dove’s continued faith in him. And she’s not sure what she believes anymore. Is it possible to be a good Messenger? And must it always come at the cost of being a good person?
Contact
Request more information about Damini’s thesis project using our Grad Showcase Contact Form.
Andrea Scott, MFA 2024
Andrea Scott
The School of Creative Writing is pleased to congratulate Andrea Scott, MFA. Andrea’s graduate thesis is a collection of poetry entitled The World in My Mouth.
Andrea is a writer living in Victoria, BC, the traditional territory of the Lekwungen peoples. Poems written during her MFA have appeared in many journals and two public projects: Poetry in Transit and the City of Victoria’s Public Poetry Remix Project. She won the 2022 Geist Erasure Poetry contest and the 2024 Raven Chapbooks Contest. Her first poetry collection, In the Warm Shallows of What Remains, was published in spring 2024. Andrea only had eyes for poetry entering the MFA, but along the way discovered a love of comics, screenwriting and writing for children. She’s currently finishing a YA novel in verse called Birdnesting.
The World in My Mouth is a poetry collection that explores the complexities of mothering — and grieving a mother — on a changing planet. The poems in The World in My Mouth celebrate, grieve, and meditate on the human experience: the joys and limitations of our bodies, our memories, our families, our lovers, our connections to Planet Earth. Poems in free verse and traditional forms are interwoven in this collection, with threads of darkness and dystopia intersecting those of humour and hope.
Contact
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Jazeen Hollings, MFA 2024
Jazeen Hollings
The School of Creative Writing is pleased to congratulate Jazeen Hollings, MFA. Jazeen’s graduate thesis is a novel entitled The Deeper We Go.
With the grace and poise of a flamingo lacking knees, Jazeen, at the ripe old age of thirty-one, retired from her seven year stint as a video editor to join the program and dedicate herself fully to her writing practice. During her time here, she discovered a deep love of poetry, found a quirky, albeit slightly unhinged, humour-injected creative nonfiction voice, and became insistent on teaching creative writing after grad school. She produced a novel, a screenplay, is currently working on a chapbook, and runs her own creative writing workshops that blend academia, personal exploration, and militant creative support.
The Deeper We Go is a family dramedy novel set in the once booming Ontario mining town of Elliot Lake. Eleanor, a single mother trying her damned best, struggles to provide financially and emotionally for her ambitious ballet-obsessed teenage daughter, Anna, and for her delinquent adult son, Michael. She desperately tries to hold the family together as Anna descends into a frightful opioid addiction and Michael’s mishaps turn violent. Part family drama, part political commentary on boom to bust towns, the novel’s core pulses with themes of motherhood and the importance of letting go.
Contact
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Andrea Mullan, MFA 2024
Andrea Mullan
The School of Creative Writing is pleased to congratulate Andrea Mullan, MFA. Andrea’s graduate thesis is a novel entitled Spare Me the Details.
Andrea Mullan is a writer/filmmaker who grew up in a large Irish immigrant family playing music and telling stories Saturday nights around the kitchen table. She is an alumnus of the National Screen Institute’s Totally Television Program and winner of the Cogeco Pre-Development Fund for Series as well as the OMDC On Screen Initiatives Fund for Series. She was an Exec Producer on the independent feature Dim the Flourescents which won first place in the 2017 Slamdance Film Festival. She worked in the Toronto film and television industry for nineteen years before returning to university and completing an Honours BA in English at the University of Toronto in 2019.
Spare Me the Details, is a novel cycle comprised of ten short stories about a young woman struggling to come to terms with a life overshadowed by addiction and abuse. It addresses central questions of selfhood and identity as the protagonist attempts to escape the generational cycle of addiction in her family and trace a path toward healing, reconciliation and recovery. The intimacy of caring for her dying father finally allows her to see the fragile humanity of her parents and understand the source of pain in their collective past.
Contact
Request more information about Andrea’s thesis project using our Grad Showcase Contact Form.