HarperCollinsPublishersLtd, the UBC School of Creative Writing and CookeMcDermid Literary Management are pleased to announce the shortlist for the 2026 HarperCollinsPublishersLtd/UBC Prize for Best New Fiction, co-sponsored by CookeMcDermid Literary Management, comprised of three very different and uniquely strong books:
- Jessalyn LeBlanc for her short story collection GRAIN ELEVATORS ARE DEAD
- Adam Meisner for his historical novel FINLAY AND THE LEOPARDS
- Bethany Sampson for her romantic comedy TO HATE AND TO HOLD
The winner, chosen by CookeMcDermid and the editorial team of HarperCollins, will be offered representation by CookeMcDermid and a standard contract to publish from HarperCollins, with a negotiated advance. The shortlisted authors will each have the opportunity to engage in an editorial discussion about their work with a HarperCollins editor.
Now in its fourteenth year, the contest continues to attract high quality submissions from UBC Creative Writing students and graduates. “Each of these novels could be a potential winner,” says Janice Zawerbny, Senior Executive Editor at HarperCollins Canada. “These finalists speak to the quality and diversity of writers graduating from the UBC School of Creative Writing.”
Paige Sisley, a literary agent at CookeMcDermid who has served on the HarperCollinsPublishersLtd/UBC Prize for Best New Fiction jury since its inception, adds: “Every time we facilitate this Prize I am struck by the breadth of talent emerging from the UBC School of Creative Writing. We are grateful to each entrant who allowed us the privilege to spend time with their work, and we are very excited about this year’s shortlist and what it indicates about the future of Canadian literature.”
“I’m so thrilled by the ongoing commitment HarperCollins and CookeMcDermid have shown our students and alums with this contest—it’s a true validation of their exceptional talent and hard work,” says Annabel Lyon, Director of the UBC School of Creative Writing.
The winner will be announced September 30, 2026. The HarperCollinsPublishersLtd/UBC Prize for Best New Fiction is awarded bi-annually. The next opportunity will be in 2028.
JURY CITATIONS & AUTHOR BIOS FOLLOW
Grain Elevators are Dead by Jessalyn LeBlanc: This short story collection is a strong showcase of imagination and style. Set in the Prairies, the subject matter of the stories is varied, but they all share a distinctive glimpse into a particular, often unusual, situation or moment in Prairie life, featuring superstitious Polish homesteaders, senior hockey teams, crazed farmers, complicated family dynamics, highway workers, and the exploration of Métis identity and of cultural reclamation. Jessalyn hooks the reader into each story with a sentence or two, but they contain whole worlds.


Finlay and the Leopards by Adam Meisner: This queer historical coming-of-age novel feels dreamily situated between the past and the present. It is set in a 19th century New Brunswick leprosy colony where Finlay, whose led a sheltered life under his paranoid mother’s watchful eye, and Thadée, a confident Acadian man with his own childhood traumas, must confront their growing bond and attraction to one another while caring for the sick among them. The novel brings to life a period of Canadian history that few people know about, yet it is rife with contemporary themes. Though it deals with heavy topics, Finlay and the Leopards is ultimately a beautiful and atmospheric story about first love, hope, community and belonging. Meisner’s novel represents a new, refreshing approach to historical fiction that feels both ‘of its time’ and distinctly modern.


To Hate and To Hold by Bethany Sampson: This smart, funny, well-executed Own Voices rom-com is hard to resist. Imy, an autistic woman, and Cal, an autistic man, must set their rivalry aside in order to prevent their mutual best friend from marrying her toxic fiancé. Hijinx—and inconvenient romantic feelings—ensue! This novel has it all: a fantastic hook, lively characters you can’t help but fall in love with, sharp, truly funny prose, and genuine, butterfly-inducing chemistry. Sampson’s authentic voice shines, and you would be hard pressed to find a reader who won’t be charmed by this book.




